Video (2016)
“... he was moving backwards through the emergent past, through a succession of
ever stranger landscapes, centred upon the lagoon, each of which, ... seemed to
represent one of his own spinal levels.”
— J. G. Ballard. The Drowned World (1962)
ever stranger landscapes, centred upon the lagoon, each of which, ... seemed to
represent one of his own spinal levels.”
— J. G. Ballard. The Drowned World (1962)
Displaced Plan (2017), immersive and interactive installation
Displaced Plan (2017), collaboration, exhibited as part of micro-residency at CultureHub, New York, NY
Credits
Emmy Mikelson: video imagery, soundscape, software coding with Processing
Charlotte Becket: kinetic sculptural installation, physical computing with Arduino
Credits
Emmy Mikelson: video imagery, soundscape, software coding with Processing
Charlotte Becket: kinetic sculptural installation, physical computing with Arduino